دانلود رمان انگلیسی “خلسه‌ی قلب‌های گورستان”

The criteria that distinguish good literature from poor, and great from good, are so intensely subjective that any attempt to define them quickly becomes a fool’s errand. But for myself, I would argue that one inalienable quality that a writer must possess if they have any hope of isolating their work from the ever-swelling ocean of published literature is an original voice. While an original voice alone does not assure literary greatness, without it, a writer is doomed to flounder in a pool of their own influence, or worse still, to default to the tepid, journeyman prose of potboiler fiction, where language is used as simple engine to keep the almighty plot moving. An original voice cannot be taught, but I believe it can be earned, provided a writer is willing and able to subject her or himself to a great many years of consistent writing, and of cultivating the fortitude and willingness to look within, to draw upon the depths of their own soul. These aspects often result in works that are unlike anything else; no other writer past, present, or future could conjure fiction quite like it. In time, such voices become unmistakable, singular. Most writers who achieve this do so only after putting millions of words onto the page. But occasionally, newer writers whose knacks go beyond their track record arrive on the scene.