دانلود کتاب سینمای مانوئل دی اولیویرا – مدرنیته، بینابینی و غیرعادی

Th e chapters of this book were written with the support of two diff erent funds, the Portuguese FCT (Funda c a o para a Ci e ncia e a Tecnologia ) and the Romanian UEFISCDI (Executive Unit for Financing Higher Education, Research, Development and Innovation), within the framework of two diff erent research projects and theoretical backgrounds. However, there was continuity and overlapping in the topic of the two projects: the FCT project focused on fi lm adaptations of the iconic nineteenth-century Portuguese novel Doomed Love , with emphasis on Oliveira’s controversial adaptation placed in the larger stylistical and thematic context of the director’s oeuvre, while the Romanian one, part of a group research, provided its intermedial conceptual and discursive apparatus. Th is latter project has also considered the cinema of Oliveira as exemplary of an intermediality conceived as ‘in-betweenness’ between expressive forms of diff erent arts and media.