دانلود کتاب افق های جدید در خلاقیت

In the good old days when everything had its place and role in a world that seemed – at least in retrospect – to be ordered and simple, there was no problem about creativity. It was clearly identified as a characteristic of art and science, in the highest peaks of human achievement. Since only the minority of people were occupied by the professions clearly tagged as ‘art’ and ‘science’, creativity was safely tucked in the loft as it were, radiating its benefits down to daily life. We knew where to look for it and we were safe in our knowledge about its value and function. Well, there was some kind of a problem in the past history of creativity when the issue of the relations between creativity and intelligence cropped up at some point but the outcome of the resulting theorizing and experiments was highly favorable for creativity: it turned out to be separate from intelligence occupying a distinct domain (Cramond, Kim, & VanTassel-Baska, 2010; Guilford, 1950). Thus, it maintained its unique position, in the lofty peaks of the highest human achievements.